THE SHAFT by Tim Greaton

I fell at least thirty feet.

It’s hard to tell exactly how deep this shaft is, but that’s my best guess. I mean, a man couldn’t survive a longer drop. Could he?

A furry limb brushes against my cheek. I don’t bother to push him away. I call him Harry—no pun intended. It’s like we’re friends now. I think he’s been hurt, too.

I pull the new piece of webbing from my face. It’s a thick, sticky string. I roll it up between my palms. It reminds me of Mr. Salbury’s class where Eric and I used to roll up balls of masking tape and throw them at each other whenever he wasn’t looking. That was fifteen years ago. I toss the web roll against the stone wall beside the others. How much longer can Harry keep making this stuff?

I didn’t know they came this big…spiders, I mean. I had to pull Harry out from under me after the fall. He must weigh five, six pounds.

I hear him move down toward my legs.

I’m a little hungry, but mostly thirsty. A soda would sure go good. My leg hurts.

It’s pitch black here, blacker than I’ve ever seen. Many times, when I was a child, I thought I was in the dark. Now I realize I wasn’t. When I hid in closets, light always seeped in through the cracks around the door. And those times me and the other kids held séances in the basement, light always made its way through the makeshift drapes we stapled over the squat windows. But the bottom of this shaft is truly dark. This blackness doesn’t even carry the memory of light.

I knew my leg was broken in several places by the way my right sneaker was pressing against my left ear when I came to. I must have passed out a dozen times before I was finally able to push the shattered limb back where it belongs. Still crooked, but….

* * *

I struggle to a sitting position. I’m really hungry now and I’d die for a drink. Harry and I are friends, but I think he knows what I’m thinking; he doesn’t come near my upper body any more.

He’s done a good job with my leg, though. Wrapped it real good. It hardly hurts at all. I’ve been pulling off any webbing higher than my upper thigh. I think the lower part is completely cocooned now.

When we get out of here, I’m going to put Harry through medical school. He’ll like that.

Chuckle.

I don’t expect anyone will find me here. I came alone. Me and Julie had a fight just before, so I didn’t tell her where I was going. Hell, I didn’t even know myself. Just grabbed the flashlight and started walking.

I used to come into these caves a lot when I was a kid—

I feel a sharp pain in my right shin.

“Cut it out, Harry!” I shout. Echoes of my croak fill the cool, stale air. “Be careful, will you? You’ve got the worst bedside manner I’ve ever seen.”

Chuckle.

It’s been over forty years since they stopped mining here. I heard there never was much gold anyway, just enough to tease old man Winters into bankruptcy. No one else was stupid enough to pick up where he left off. Been abandoned ever since.

I don’t feel much now, just the chills that occasionally sweep like a Canadian wind up and down my spine. It’s as though my nerve endings finally gave up, excepting only the sporadic checks to make sure I’m not dead yet. It’s just a matter of time….

Too tired to sit anymore, I’m lying with my head propped on a rounded stone. A few jagged shards of rock poke at my back, but they don’t bother me now. Funny, how a person can get used to things. Another pain shoots through my leg.

I kick Harry.

He was attempting to wrap my left leg at the time. It’s not that I mind. I know he needs the practice for med school, but….

I only take two of his legs this time.

He crawls away.

I think he’s mad.

Seems fair to me. After all, I did give him one leg and mine are bigger. I suck the juice from the furry limbs then chew through the fur to get at the stringy flesh. Reminds me of the frog legs we used to eat at Range Pond Camp Ground. We never had frogs this big, though.

With food in my stomach I drift off to sleep, barely noticing as Harry again begins work on my left leg….

I hold the rock tightly in my right hand. I rub my chin with the other and feel the stubble has turned to almost a beard. I wish I could get at my comb to run through it, but Harry’s got me webbed just above the waist.

He’ll definitely be a credit to the medical profession: pain in my leg’s completely gone.

I hear him sliding across the floor. Now that four of his legs are missing, it’s much easier to hear him. He’s real careful not to come too close to my arms.

Suddenly, I pitch the rock.

A satisfying thump announces my success. Everything from my waist down is wooden. It takes me the longest time to maneuver my body close enough to grab him.

A tear runs down my cheek as I rip two more legs from his plump body. I’m worried that I hurt him with the rock.

After I’ve eaten, I hug his body and fall into a deep sleep….

My right arm is still free. In my hand I hold a small round stone. I promised Harry I wouldn’t hit him with a big one again.

I listen carefully for any sound of movement. Harry’s having a tough time getting around, only one leg and all. I don’t know how he’s going to make out when I take the last one. It’s only fair, though.

I hear him scurry. My rock flies….

I hug Harry tight, a furry ball against my cheek. He’s shivering. I don’t think he’ll make it much longer. I feel pincers breaking the skin on my neck as I drift into the land of dreams.

THE END

* * *

Tim Greaton lives in Maine with his beautiful wife and three amazing children.  He shares 7-acres with 1 dog, 2 cats, and a population of ducks that varies with the weather. He’s a full-time corporate writer and novelist. His fiction, non-fiction and advertising work has appeared in forums all around the globe. His novels “The Santa Shop,” “Under-Heaven,” “Zachary Pill, The Dragon at Station End”, and “Ancestor: Book I” are all available in ebook. “The Santa Shop,” and “Under-Heaven ARC…From My Cold Young Fingers” are both available in paperback. “Heroes With Fangs” will also be available in the next few months. His brother’s publishing company refers to him as “Maine’s Other Author TM” but he prefer just Tim :-) .

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We can not break bread with you …

 

“Wait, we can not break bread with you. You have taken the land which is rightfully ours. Years from now my people will be forced to live in mobile homes on reservations. Your people will wear cardigans, and drink highballs. We will sell our bracelets by the road sides, and you will play golf. My people will have pain and degradation. Your people will have stick shifts. The gods of my tribe have spoken. They said do not trust the pilgrims. And especially do not trust Sarah Miller. For all these reasons I have decided to scalp you and burn your village to the ground.”

 — Wednesday in Addams Family Values, 1993

Actually — happy thanksgiving to all you CoT’s readers and authors.  (Yes, all ten of you.) :D

 

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Nimbus Exhales by Raymond Marble

NIMBUS EXHALES

$2.50

Howie’s just met a new girl and she does something for him none of the party girls he’s met can match.

From contributor, Raymond Marble.  On sale now!

 

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Once upon a time there was a little girl …

 

“Once upon a time there was a little girl named Tessie,” he said. “She was smart, and pretty — ” Tessie curtsied to prove his point ” — and one day she didn’t look both ways before she crossed the street and ran right in front of a truck. Then bam!”

(Sorry no attribution for the pic.)

Aimee C. B. AKA Pookie —  1991 – 2010 R.I.P 

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HAIR OF THE WOLF THAT BIT YOU by David Siegel Bernstein

Despite the haggard look on her face, the bartender was cute. She approached me with a relieved smile—I was the last customer.

After I ordered, she ran her fingers through her long auburn hair, shaking her head. “Virgin Lupy? What’s that?”

I smiled. “You’re not the only one who asks. I got hooked on it while traveling through Europe and now it’s my favorite drink.” I reached into my jacket pocket, pulled out an index card with a recipe and handed it over to her. “Here’s the recipe.”

 

She read it and frowned. “Is this a joke?”

I wasn’t sure how long we would be alone. I extended my index nail and slashed her throat. Now, where’s the vodka? I looked at the girl—she probably wasn’t a virgin. I sighed. It wasn’t easy getting top-shelf these days.

THE END

* * *

David Siegel Bernstein has been published in numerous print, podcast, and online magazines. He also serves on the board of directors for the Philadelphia Writers’ Conference, leads the Words-in-Progress writers group, and contributes a monthly article to the Abandoned Towers Magazine Blog titled: Science for Fiction (S4F).

A complete bibliography can be found at http://DavidSiegelBernstein.blogspot.com.

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An Interview with Irene Thompson, author of THE A-Z of PUNISHMENT AND TORTURE

It is a difficult task to conveniently, or comfortably, arrange a catalogue of cruelty to document the full extent of man’s inhumanity to man …

The A-Z of Punishment and Torture is available as an e-book where ever fine e-books are sold.

CoT: It seems that The A-Z of Punishment and Torture may have put you outside of a certain comfort zone in regards to the content — would you write another book on a macabre topic like this?  Or did you find yourself truly out of your comfort zone?

IT: I have written about totally factual events, both past and present, reporting them in as objective a way as I could. In a journalism career spanning more than 40 years, I have written on an enormous range of subjects, some very distasteful, so I suppose I am able to be dispassionate, in much the same way a surgeon operates on a living human without feeling emotionally connected to the person. While some of the content of the book is disturbing, I don’t think it’s any more unpalatable than the content of the average nightly news bulletin, or a detective drama. Sadly, we have all become relatively immune to cruelty and violence. I think the book is important in highlighting some of the worst atrocities still being inflicted on humans in parts of the world. We shouldn’t be ignorant of how others suffer.

How does the reworked e-book version of  The A-Z of Punishment and Torture compare to the 2008 hardcover release?

The major difference is the change in illustrations. This time they have been drawn by Cathy Edmunds, whose unique style captures the stark drama of the subject material. There have been a few additions to the written content but largely changes are minimal.

Were there any entries that didn’t make it into the published version? If so, why?

As you say, there are limits to what you can include in a book intended for the general public. I have excluded any material I considered salacious or unnecessary to fulfil the brief, i.e. giving an overview of punishments.

What sort of reader did you envision would be interested in The A-Z of Punishment and Torture? Has the actual audience turned out to be what you expected?

I was surprised how many young people showed an interest in the book. I had assumed it would appeal mostly to (a) men and (b) older people. Initially, readers tend to pick up the book with a certain amount of reluctance, maybe thinking it’s a boring historical account, or because they think it will make for stomach-churning reading. However, once they have turned a few pages, they discover how fascinating a subject this is, and that the book can be read in bite-sized pieces.

Did the e-book version measure up to your exceptions?  How does the process compare to traditional publishing?

I’m not sure I had any expectations with regard to the e-book, since I knew nothing about them. I was very impressed with the e-book production process compared with traditional publishing. Electronic editing made it quick and straight forward to make changes and to track them.

I can definitely see that e-books are the future. I’m delighted to have had the opportunity to become a part of this exciting revolution in book production and reading.

[Read an excerpt of The A-Z of  Punishment and Torture here.]

THE END

* * *

An insatiable curiosity and natural flair for crisp, colourful writing have equipped international journalist Irene Thompson with the communication skills so vital in the quirky and demanding world of off-beat non-fiction.

Previous books include in-depth investigations of modern day ‘miracles’ and hair-raising escapes from death.

She worked on newspapers and magazines in London,
Hong Kong and the US, among other places. And her work with mass-circulation tabloid press developed a taste for the bizarre … hence The A-Z of Punishment and Torture.

Irene has been US-based education correspondent for the UK’s Daily Mail, editor of a monthly publication for British visitors to Florida, has written for the Ladies’ Home Journal, the Daily Telegraph, Hello!, Woman, Woman’s Own, the BBC’s Vegetarian and Good Food Magazine, Slimming, Real Homesnd Take-a-Break.

She now lives in the beautiful English county of East Sussex with husband, John, another veteran journalist and European editor of a mass-circulation US-based newspaper group.

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THE WOLF by Anahita Ayasoufi

I was walking in the rain when I saw the wolf. It was standing still at the edge of the woods, eyes sparkling in the dusk. I always thought wolves were like dogs, just larger, and I fear dogs, so that part was the same. I knew running would do me no good. My subconscious knew it too, since it froze my muscles—no running, even if I wanted to. I remembered someone had told me to squat if I saw a wolf, and gaze at it right in the eyes. I squatted, my galoshes squelching in the mud. Something awakened in me, a feeling engraved in my soul for eternity. The corner of the wolf’s eyes pointed down—a sad looking wolf it was, and dripping too, fur drenched. And in its eyes I saw a fierce predator ready to leap on prey, a carnivore, a merciless breed, me.

THE END

* * *

Anahita Ayasoufi teaches at East Tennessee State University and took Jeanne Cavelos’s Odyssey OnlineCourse Three-act Structure in Fantastic Fiction in January.

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GOOD HELP IS HARD TO FIND by Abra Staffin-Wiebe

Audio provided by Abra Staffin-Wiebe.  (More fine podcasting at her Circus of Brass and Bone)

The man rising from his haunches shook his hands clean with an elegant, deadly grace, sending splatters of congealed blood to strike the wall and slowly ooze down. He wore leather gloves with shadows of old stains still obvious on them.  He peeled the gloves off, set them on a convenient shelf, and bent down to rinse his knives in a chipped and cracked porcelain bowl. The water in the bowl turned a delicate, mock-innocent pink.

The girl lay abandoned on a chair in the corner. He eyed her with distaste. Her purpose was served, and where before she had been intensely exciting, now she was old, worn, a discard. One of her blue eyes stared upwards at the ceiling.  The other glared a horrid red.

Chips of broken teeth, blanched white, lay like scattered stars across the dark blouse she wore. Her beautiful golden hair was carefully braided into a noose that lay loosely around her neck, almost hiding the purple finger marks.

The man looked dispassionately at her. He would dispose of her later. For now … he stepped out of the hidden room, gloves and all other traces left safely behind. A woman, well-dressed and pretty in a faded way, hurried up, her face distressed.

He smiled down at his wife.

“Dear,” she said, “our maid is missing!”

He frowned, watching her face.

“She probably ran off with that boyfriend of hers.”

“I guess so.”  She sighed.

“It’s most inconvenient.  Good help is hard to find.”

“I’m sorry,” he said.  His wife looked bewildered, but he quickly added, “I know how busy things are for you right now.”  He kissed her forehead.

“I’ll talk to the agency and arrange for a new maid…one who’ll stay when you need her.”  He studied her eyes.

“Better?”  “Thank you, darling.  You’re so considerate.”  His wife smiled up at him.  “I do try to be,” he said softly.

THE END

* * *

Abra Staffin-Wiebe is a writer of the “a few published short stories, a few unpublished novels” variety. She maintains Aswiebe’s Market List, a resource for science fiction, fantasy, and horror writers. Her website is http://www.aswiebe.com and she blogs at http://cloudscudding.livejournal.com. Also check out Abra’s Circus of Brass and Bone.

 

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INSIDE THE ACTOR’S STUDIO by Todd Austin Hunt

Outside the studio.

The streets and alleys were clotted with the freshly undead, staining the air with a stink not imagined by God. In their palsied search for peoplemeat, they moved and rubbed against each other with synchronized moans, an a cappella performance composed by Hell. Most of the minds had been completely washed away, but not all.

Inside the studio.

Morgan’s nickname as a child had been Pygmy Squeak. He was short and the kids tortured him for it. Television made him a giant and gave him a taste for crushing people. He was tiny again, and horrified. Even though he had put a chair under the knob of the Studio B Door, it shook and trembled,  as it cracked and shuddered.

The studio audience was silent, offered no sympathetic awwws.

Lower lip trembling, Morgan broke his gaze from the door and fled toward the set. The abandoned cameras focused on an elaborate dining room, fake mahogany table and chairs underneath a fake crystal chandelier. The table was set for four, with plates and silverware. The last Sunday newspaper rested at the head of the table. A huge grandfather clock stood along a wall, weights and pendulum painted within the case. Squeaking, Morgan opened the case and squeezed himself inside and shut the glass front.

The chair splintered, and a crowd of undead exploded into the studio. They milled around the threshold as they sniffed the air. After a few moments, all but three lost interest and returned to the feast outside. An adult male and female, and a child saw the cameras and shambled to the set. In a shadowed moment, their eyes shone with imagination and remembrance of uninfection. Each carried a gnawed limb to the table. The male sat at the head with an open newspaper and made a show of his mumbled reading. His nose fell off onto the sports page.

The child sat at the center of the table, his small, pus-filled face immediately took on a sullen expression as the female admonished him with a wagging finger that hung by an inch of flesh from her knuckle.

Morgan trembled in the clock, staring at the wormy calves of her putrescent legs.

The woman pushed the gory haunch away from the child, and broke off a leg of a chair and dropped the wood onto the plate.

She pointed at the plate and slobbered, “More fibber. Dite too much meat bad. EEEET MORE FIBBER!

The child shut his lipless mouth and shook his head, causing his ear to fly off.

The male slammed the paper down and stood up. “Not nobay mudder! NOT NOBAY MUDDER! Eat fibber or spank!”

The child rose and howled, a long, low sound from deeper in the dark heart of the world than any human has ever been. “NOOOO FIBBER! WANT MEAAAT!

The sound and the word broke their performance.

Morgan squeaked, and six ravenous eyes found him.

THE END

* * *

Todd Austin Hunt has been publishing speculative stories since 2003, Hunt won an Honorable Mention in the 2003 Annual Ray Bradbury Writing Contest and was nominated for the Pushcart Prize in 2007. He lives at the edge of the Wando River, amid the shrieks and squawks of unimagined wildlife.

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SPOOKED by Snap Judgement

Listen to “Spooked!” / Snap Judgment by SnapJudgment

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